Mamiya 645 viewfinder manual#
Mamiya 645 viewfinder pro#
Mamiya 645 viewfinder iso#

While it feels sturdy, itвЂ™s also blocky and can be awkward to hold for some. Mirror lock-up reduces the vibration typically experienced with SLRВ cameras (more about that from Bob Atkins), toВ help retain image sharpness.Д«ryan also found the built-in light meter to be extremely accurate.В Pressing the exposure meter buttonВ on the side of the camera pops up the meter on the right side of the viewfinder for about 15 seconds to show overexposure or underexposure.ДЄs for the cons, you wonвЂ™t be able to switch film backs with this camera, as you would with a Mamiya RB67. Another reason was the mirror lock-up feature, which allows for shooting handheld or long exposures at slow shutter speeds of 1/30 sec and below. This will especially come in handy if youвЂ™re shooting portraits using films like Kodak Portra 400. I reccommend stepping up to it if you are considering the 645 line.Among the reasons he got this specific model was the maximum shutter speed of 1/1000 sec вЂ“ perfect for shooting wide openВ in broad daylight.

Mamiya 645 viewfinder pro#

The 645 Pro TL is the best of the 645 line, imo. I have not used this feature, so I cannot comment on it. It differs from its predecesor, the 645 Pro, by offering TTL flash metering.

Mamiya 645 viewfinder manual#

The Mamiya Pro TL to my understanding is the last if the manual 645's. With medium format prices dropping, you can find deals on everything you need. Finders, film backs, lenses (24mm fisheye to 300 2.8 or beyond?), winders, if you need versatility this brand won't let you down. There are a PLETHORA of accessories available for this Mamiya. There is also a f1.9 80mm lens which is the fastest medium format lens available in any camera. Other positives: almost every important focal length for this camera comes in a 2.8 version. I use my equipment, I try to keep it in decent shape, but I need gear that takes its bumps and this one does it. Everything, inclluding the meter, still works. The film door popped open, I nicked the front element and scratched up the side of the body. I dropped it HARD on a rock a few weeks ago. Especially in critical situations.Д®verything else about this camera is a positive. I have to shift hands, take my eye away, readjust up or down, and repeat. With your shutter speed set, it should be easy to hold the camera, keep the viewfinder to your eye, and adjust the aperature to your desired meter reading. If you shoot only one iso, this isn't as much of a problem, Second nitpick is that I find it hard to adjust the aperature and hold the camera properly while looking through the viewfinder. You have to either take the prism off or the film back off if your hands are gloved or wet.

Mamiya 645 viewfinder iso#

My nitpicks in the design are: iso adjustment on the film backs is VERY hard to get your fingers on to adjust when it is mounted on the camera. The 2 major drawbacks for me are no screw-in terminal for a cable release (have to buy a clumsy-fitting adapter for $20) and the top shutter speed of 1/1000 can be very limiting. There is little I need this camera to do that it won't. Albeit the Mamiya is 'longer' from back of film back to front of lens. The size & weight of the Mamiya mirror an autofocus 35mm system. I use my Mamiya almost exclusively now, except when I need longer, faster glass then the Nikon comes out. Prior to this I was shooting Nikon 35mm, largely manual focus.

This camera is my first foray into medium format. I have since added several lenses, the waist-level finder, extension tubes, and the cable release adapter. I ended up with an excellent + camera with 80mm and 150 lenses, the AE prism, and 2 backs.

But that issue was resolved in arbitration. Of course, the main power board in the camera was fried upon arrival. I bought a Mamiya 645 Pro TL kit used off of Ebay for a song.